As I sat in line waiting to buy some blue paint and Goo-b-gone, the time creeping past 8:00 p.m., I thought, “Does any of this really have anything to do with English class?” This year I began my sophomore English classes with a project on modern slavery, and even though we moved on to topics like Gatsby’s impossible dream and the nuances of parallel structure, the Modern Slavery Project is still going, taking more and more of my time.
This re-occurring unit is one of which I am very proud. I have written about our work in the past, and every year I attempt to reboot this project, I start by showing past work and asking, “Now…what do YOU want to do?”
For the past two years this has meant tweaking the basic pattern from previous years: students research an aspect of modern slavery, create a video PSA, and write letters to various organizations and individuals, all the while making connections to Harriet Jacob’s Incidents in the Life of a Slave Girl. This work is always engaging, interesting, and original, but this year I pushed my students to think about ways to amplify their voices and increase their impact.
I utilized some design thinking training that is part of Beaver’s in-house professional development. I built in more time to INSPIRE (a research stage of the design process), and we took our ideas through a longer process of iteration. My students were particularly keen to take our work beyond the classroom walls, and they devised some novel ideas to do so:
27 Million Dots: Make Your Mark
One section transformed a three story hallway in the building by painting 27 million dots to represent the total number of slaves in the world today. This idea is inspired by Paper Clips, the documentary about children at a Whitwell, TN middle school collecting six million paper clips to represent the six million lives lost in the Holocaust. The students generated many ideas about how to best create a physical representation of such a large number, but the plan that emerged as most “doable” and having the most impact was the dots.
Robin Neal 